{"id":36,"date":"2015-03-17T14:40:36","date_gmt":"2015-03-17T14:40:36","guid":{"rendered":"https:\/\/courtneybrown.live-website.com\/?p=36"},"modified":"2015-12-28T17:15:21","modified_gmt":"2015-12-28T17:15:21","slug":"every-night-i-lose-control","status":"publish","type":"post","link":"https:\/\/courtney-brown.net\/?p=36","title":{"rendered":"Every Night I Lose Control (2007-2009)"},"content":{"rendered":"<p><strong><a href=\"https:\/\/courtney-brown.net\/wp-content\/uploads\/2015\/03\/courtney_accel.jpg\"><img loading=\"lazy\" class=\" wp-image-37 alignleft\" style=\"margin-right: 20px; margin-bottom: 10px;\" alt=\"courtney_accel\" src=\"https:\/\/courtney-brown.net\/wp-content\/uploads\/2015\/03\/courtney_accel.jpg\" width=\"480\" height=\"640\" srcset=\"https:\/\/courtney-brown.net\/wp-content\/uploads\/2015\/03\/courtney_accel.jpg 480w, https:\/\/courtney-brown.net\/wp-content\/uploads\/2015\/03\/courtney_accel-225x300.jpg 225w\" sizes=\"(max-width: 480px) 100vw, 480px\" \/><\/a><\/strong><em>Every Night I Lose Control<\/em> is electronic post-modern cabaret act that explores the ideas of disintegration and failure. Every piece is designed so that the performer will fail. This show follows the trajectory of her attempts to regain balance and composure in the wreckage. A phenomenological exploration of how the loss of control over musical interface engenders different modes of embodied experience. Heavily influenced by tango, Weimar cabaret, and early goth rock, this work explores the danger of performance and ultimately exposes the vulnerabilities of its performer.<\/p>\n<h3 style=\"display: inline\">Works in Cycle<\/h3>\n<p>Things that Breathe (2007) for voice and live electronics<br \/>\nStudy in Losing Control (2007) for tuba and live electronics<br \/>\nStudy in Losing Control II (2007) for voice, accordion, and live electronics<br \/>\nBalancing Act (2008) for voice, accelerometer, and live electronics<br \/>\nThe Error of my Ways (2008)\u00a0for voice, accelerometer, and live electronics<br \/>\nBalancing Act II (2009) for broomstick, accelerometer, and live electronics<\/p>\n<h3 style=\"display: inline\">Selected Performances<\/h3>\n<p>2009<br \/>\nINsideOUT<b>,\u00a0<\/b>Atlantic Center for the Arts, New Smyrna Beach, FL<br \/>\nCabaret Show at The Tank, 45 Street Theater, New York, NY<br \/>\nThe Outpost 186, Cambridge, MA<br \/>\nThe Elevens, Northhampton, MA<br \/>\nThe Murder Cabaret, The Tank, 45 Street Theater, New York, NY<\/p>\n<div style=\"float: left; margin: 0px 20px 10px 0px; height: 320px; width: 480px;\"><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/122509941?color=ffffff&amp;byline=0&amp;portrait=0\" height=\"426\" width=\"640\" allowfullscreen=\"\" frameborder=\"0\"><\/iframe><\/div>\n<p>2008<br \/>\nPrinceton University, Princeton, NJ<br \/>\nThe Lilypad, \u00a0Boston, MA<br \/>\nFestival of New Musics, Dartmouth College, Hanover, NH<br \/>\nMcGuffey Art Center, Studio 11, Charlottesville, VA<br \/>\nThe Lighthouse, Washington, DC<br \/>\nThe Red Room Collective, Baltimore, MD<br \/>\nThe Nightlight, Chapel Hill, NC<br \/>\nMonkeytown, Brooklyn, NY<br \/>\nCritical Events at Firehouse 13, Providence, RI<\/p>\n<p>2007<br \/>\nHartt School of Music, Hartford, CT<br \/>\nThe Boston Cyber-Arts Festival, Brandeis University, MA<\/p>\n<h3 style=\"display: inline\">Master&#8217;s Thesis<\/h3>\n<p><a title=\"Read the thesis.\" href=\"https:\/\/courtney-brown.net\/docs\/cbrown_thesis_final.pdf\" target=\"_blank\">Read the thesis.<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Every Night I Lose Control is electronic post-modern cabaret act that explores the ideas of disintegration and failure. Every piece is designed so that the performer will fail. This show follows the trajectory of her attempts to regain balance and composure in the wreckage. A phenomenological exploration of how the loss of control over musical [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":37,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0},"categories":[4],"tags":[],"jetpack_featured_media_url":"https:\/\/courtney-brown.net\/wp-content\/uploads\/2015\/03\/courtney_accel.jpg","_links":{"self":[{"href":"https:\/\/courtney-brown.net\/index.php?rest_route=\/wp\/v2\/posts\/36"}],"collection":[{"href":"https:\/\/courtney-brown.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courtney-brown.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courtney-brown.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/courtney-brown.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=36"}],"version-history":[{"count":18,"href":"https:\/\/courtney-brown.net\/index.php?rest_route=\/wp\/v2\/posts\/36\/revisions"}],"predecessor-version":[{"id":449,"href":"https:\/\/courtney-brown.net\/index.php?rest_route=\/wp\/v2\/posts\/36\/revisions\/449"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/courtney-brown.net\/index.php?rest_route=\/wp\/v2\/media\/37"}],"wp:attachment":[{"href":"https:\/\/courtney-brown.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=36"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courtney-brown.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=36"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courtney-brown.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}